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  I'm pretty sure Edie fancies him, although she won't admit it. If it wasn't for the massive age difference, and him being my BROTHER, they'd make a good couple one day, because, like Edie, he's super-kind and, unlike Edie, he's also quite charming so he might balance out her diplomacy malfunctions.

  Harry takes after Mum, who is still beautiful, even after all these years. She has that bone structure thing that models have (‘Cheekbones, darling. What a pity you got your father's’), and smooth skin and lips that look as though they're pumped full of beeswax, but they're not. Mind you, you should see my granny – she makes Mum look positively ordinary by comparison and she's old enough to be, well, my granny.

  Anyway, Harry's got the three photos laid out on the kitchen table. He needs to use one for a project he's doing and he wants Mum's opinion on which is best.

  ‘The theme's street style,’ he explains. ‘I've been taking pictures of local people who've caught my eye.’

  The photographs are black and white and Harry has blown them up large. He's obviously used the fancy new lens he got recently, because the foreground is sharp and the background is very blurry. He's extremely proud of that lens. I've never seen so many blurry backgrounds since he started to use it.

  Anyway, we all look at the first photo, which is of a woman in a black burka, with only her eyes showing through a narrow slit in the fabric.

  ‘I wouldn't exactly call that style,’ says Mum. ‘I'd call that irony. Next.’

  She gives Harry a sharp look and he sheepishly pulls forward the next one. Mum starts peering at it through her glasses, but I don't even notice it because I've already spotted what's on the photo behind it.

  ‘Watch out! Careful!’

  Oh no. I realise I've spilled my drink in shock and there is water ALL OVER THE MARBLE and getting dangerously close to the burka. Harry gathers up his photos and I'm despatched for a cloth. Mum purses her lips in the way she has.

  ‘What was that about?’ Harry asks, crossly, when I'm done. Thank goodness it wasn't a smoothie.

  ‘The girl in your last photo. It's just . . . I've seen her.’

  ‘I'm not surprised,’ he says casually. ‘I took it near the V&A and you practically live there, don't you?’

  Harry puts the photos back. Mum unpurses her lips and focuses on the last one.

  ‘Oh, this is the best, definitely. Who is it?’

  I look at it again, still shocked. The girl is resting against a railing, drawing something out of shot. There are the tutu and the fairy wings. The satchel and the notebook. They're unmistakeable. This is positively creepy.

  ‘I don't know who she is,’ I say, ‘only that Edie teaches her reading. I just heard about her yesterday and now I've seen her twice. Is this some trick, Harry?’

  He shakes his head and looks innocent.

  ‘She told me her name was Crow,’ he says.

  ‘Crow what?’

  ‘Just that. Crow. I'd love to shoot her again. She looks so tiny and fragile but there's this air of, I dunno, exuberance about her. She photographs beautifully. But she wouldn't give me her address.’

  ‘I should think not!’ Mum bursts out, horrified. ‘Darling, please do not go around asking for the addresses of young girls. You'll get arrested. Anyway, it's a very good shot. Excellent use of natural light. Use this one.’

  Mum deals in art and photography now and she's pretty successful, so what she says goes. Harry packs up the photos and I dash upstairs to call Edie and Jenny and tell them all about it.

  ‘Spooky!’

  Jenny is suitably impressed. ‘It must be some sign or something.’

  Edie, on the other hand, finds the whole thing perfectly logical and takes it all in her stride.

  ‘People like that stand out,’ she says calmly. ‘Once you know to look out for her you'll start seeing her everywhere. It's a phenomenon.’

  I take her word for it.

  ‘Crow did show up yesterday, by the way,’ she continues. ‘Just in time. She was about to get loads of detentions and a letter to her guardian.’

  My guilt for ignoring her yesterday washes over me again.

  ‘You can meet her if you like. It's her school bazaar next weekend. The day of Jenny's premiere, but we'll have time for both. I promised I'd go. Crow's going to be selling some stuff she makes. And if Harry wants to see her, I'm sure he can come too.’

  As I say, I've always suspected that Edie has a soft spot for my brother. I wonder whether this is just a ploy to spend an hour or two in his company. But it seems as though fate is definitely trying to get me to meet this girl. I decide to give in and say yes. I also volunteer to ask Harry.

  This is not as straightforward as it sounds. Harry's bedroom is just down the stairs from mine (our house is very tall and keeps us all fit), but it is a shrine to his music and usually sounds as though it's home to a wild nightclub. I have to knock hard.

  Harry's practising on his drum kit. When he's not being a photographer, he plays in a band and mixes party playlists for people and occasionally DJs. He's into jazz and retro-funk and French hip-hop. As I said – supercool. But it's tough getting his attention over MC Solaar and the snare-drum. Eventually, after the fourth bout of knocking, when my knuckles are really starting to hurt, he lets me in.

  I tell him about the bazaar and he agrees to bring his camera. Edie'll be pleased.

  Then I play my usual game of Svetlana-spotting. Svetlana Russinova is a supermodel and is Harry's latest love – apart from his girlfriend, Moaning Zoe, of course. Harry has a montage of Svetlana pictures above his bed. How Zoe puts up with it, I have no idea. Every time I go into Harry's room I spot new additions to the montage.

  Today, Svetlana is advertising a handbag, a perfume and a gold watch. She's also wearing a VERY short dress and high heels for Mario Testino (I'm good at recognising photographers – it's a thing I can do). And practically nothing for Rankin.

  Zoe, the girlfriend, is short, dark and pierced. She's partial to black leather, and not in a good way. Harry has a very teeny photo of her in an old frame on his bedside table. She's not wearing her glasses and she's squinting a bit.

  ‘What does Zoe think about that one?’ I ask, pointing to the Rankin picture of Svetlana, where she's lying on her tummy, doing a crossword, and appears to have given up on getting dressed after putting on some pink silk French knickers.

  ‘She hasn't said,’ Harry mutters.

  I give him a knowing look. It means, ‘I'm no expert, but as far as I know girls don't appreciate their boyfriends admiring other girls’ bottoms.’

  Harry merely shrugs. ‘It's art,’ he says.

  Yeah right.

  I bet Zoe saw it and thought, ‘What lovely French knickers. I must get some.’ NOT.

  Saturday comes. Jenny is busy being primped and primed, waxed and fake-tanned, squeezed into her new form-fitting super-bra and generally tortured into readiness for her red-carpet moment later on. Harry, Edie and I are on our way to Notting Hill, where Crow's school is holding its bazaar.

  We all avoid the seats on the Tube and hang about near the doors. Various people check out my outfit. I dare them to say anything. Nobody does.

  ‘So,’ Harry says, giving Edie a friendly smile. ‘How's the master plan going? Saved the world yet?’

  ‘Not yet,’ she answers, going slightly peach. She's used to being teased by my brother about her plans for world domination, or ‘peace’, as she calls it.

  When she first mentioned the whole United Nations idea, it sounded pretty cool to me.

  ‘Like Angelina Jolie!’

  ‘Angelina Jolie isn't in the United Nations,’ she told me wearily. ‘She represents it sometimes. When she's not acting in movies or adopting people.’

  I get the idea Edie isn't as impressed with Angelina Jolie as I am. And I'm not entirely sure what the difference is between being in something and representing it, but whatever it is, Edie wants to do more of it than la Jolie, possibly adopting fewer children in the process.<
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  And whereas Angelina's preparations included acting classes (I'm guessing), Edie's include everything she can think of to impress Harvard University. For example: being top in everything in school, running in the running team, debating with the debating team, playing in the chess club, setting up her own website to promote good causes and volunteering. I think she had some spare time in primary school a few years ago, but I couldn't be sure.

  Usually I don't get involved any more. Edie despairs at my superficial life with its ‘unhealthy focus’ on fashion magazines, customised clothing and celebrity watching. It seems pointless to point out to her that I don't choose not to be top in everything and play championship chess; it's something that happens to me. And the spare time I have left over from not doing extra maths and orchestra practice (she does that too, I forgot) comes in handy for adapting tee-shirts and leggings and generally trying not to look like every other fourteen-year-old in London.

  Today I'm in a floral halter-neck romper suit that I ran up after school one evening. It's supposed to have a sort of thirties tap-dancer vibe. It's cool and comfortable, but I didn't factor in having to go to the loo, which requires a major planning operation. Harry was very complimentary when I appeared in it this morning. Mum just laughed, but not necessarily in a good way. She'd love Edie's outfit, which is powder blue and pretty and sensible and BORING.

  I get a few more strange looks when we arrive at Crow's school. The bazaar is being held on the games pitch, which is an odd description for a large expanse of concrete surrounded by high fencing, but today it's decked out like a village fete, full of bunting and bustling, smiling people. There's a huge banner along one wall of fencing saying ‘Welcome to St Christopher's’ and dozens of stalls scattered about, selling everything from old books to jewellery and home-made cakes.

  Harry immediately whips out his camera and starts snapping away. Edie and I start looking for Crow's stall. I quickly get distracted by some girls selling fabulous neon bangles, then a rather irresistible doughnut stall. I realise it's ages later when Edie tugs on my arm and pulls me along to the far corner of the playground, where the girl in the fairy wings is standing behind the smallest stall in the place.

  She's a funny sight. Her head appears much too large for her tiny body. Her face is round and her large lips look made to smile, but they always seem to be pursed in concentration. Her hair is a crazy seventies Afro, on which she has perched two crocheted caps today, side by side. They look great. Her skin is glistening and gorgeous and spot-free. Jenny would be sooo jealous. From the neck up, she is soul-singer fabulous. From the shoulders down, though, she is like a bony child-bird. Except for her hands, which are beautiful. She has the longest, most graceful fingers I've ever seen.

  The stall's a bit of a mess. She has just one table and it's scattered with colourful bits of cheap nylon fabric. She doesn't look up when we get there. She's got her notebook out and she's busy sketching, as usual. If she expects to make a sale, she certainly doesn't show it.

  I pick up one of the scraps of fabric.

  ‘How's it going?’ Edie asks.

  Crow looks up with a scowl. Naomi Campbell on a bad day. She glances at Edie and shrugs. I'm guessing sales haven't been fantastic so far.

  ‘Oi! Fairy.’

  A shout comes from behind us. I turn round to see three very pretty blonde sixth-formers in matching minis and open-necked shirts, arranged to show off their flat, tanned, bare midriffs and belly-button piercings. They're all grinning across at Crow. Their stall is selling handbags made out of patchwork squares. Quite nice ones, actually. I feel disloyal for thinking it.

  ‘Got a customer? Ooh, Fairy. Lucky girl! Going to make your fortune?’

  They cackle with laughter, amazed at their own cleverness.

  ‘Are they always like that?’ asks Edie, indignantly.

  Crow shrugs again. Shrugging seems to be her major form of communication. I'm indignant too. I know how it must feel.

  ‘Like the hats, Fairy!’ They cackle again. Then one turns to the others and says very loudly, ‘D'you remember when she wore that gold cape? Proper little Wonder Woman she was, weren't you, Fairy? Shame it got ruined in that nasty drain.’

  They laugh hard, holding on to each other. I can imagine how the cape ended up in the nasty drain. Crow carries on drawing without any change in her expression, though. It's as if they're not there. In fact, she seems to be annoying them far more than they're annoying her.

  However, by now Edie and I are more annoyed than anyone.

  Edie picks up one of the nylon things.

  ‘How much is it?’ she asks.

  ‘Fifty p,’ Crow almost whispers, hardly raising her eyes.

  ‘I'll have three,’ Edie says loudly. ‘Nonie, how about you?’

  ‘Oh, me too,’ I agree. ‘And one of these.’

  There's a raspberry pink knitted thing peeking out from under all the nylon. I'm not sure what it is, but I'm happy to pay two pounds for it.

  ‘And I'll have one as well,’ says a voice right behind me. It's Harry. He seems relaxed enough but I can tell from the way he's breathing that he's as annoyed as the rest of us.

  Startled, Crow starts putting things in bags and collecting up our proffered coins.

  ‘Actually, we're from Teen magazine,’ Edie adds after a moment's thought, still keeping her voice up. ‘My friend here's our stylist and this is one of our staff photographers. We love your stuff and we'd like to feature you. Such a shame everything else today is so TRASHY. Here's my card.’

  She hands something across to Crow, which on inspection turns out to be her library card.

  Then she turns on her heel and sweeps off, with me sweeping after her and Harry bringing up the rear, after running off a few shots of the stall for effect.

  ‘Ooooh, Fairy!’ we hear just before we head out of earshot. But it sounds like air coming out of a balloon. The blondies’ hearts don't seem to be in it any more. And Crow seems to be too busy examining the library card to notice.

  Once we're outside the playground, Harry throws his arms around Edie and hugs her.

  ‘Well done! You could be Wonder Woman yourself, you know.’ Then he laughs. ‘You're shaking.’

  She is. I can see it now. It must be a mixture of nerves and indignation.

  ‘We have to DO something,’ she splutters.

  ‘I certainly owe her one,’ Harry says. ‘I got another great picture out of it.’

  He scrolls through the pictures on his camera and shows us the one he means. It's of the blondies, all clustered together, looking gorgeous, but positively evil.

  ‘I'm going to call it ‘The Three Bitches’. See?’

  Edie nods wisely, then sees my dumb expression. ‘He means like the three witches. Macbeth. Get it?’

  I sigh. It wouldn't surprise me to know she's read all the works of Shakespeare in between the Jane Austens.

  ‘You can have these, by the way,’ she adds, thrusting her bag of nylon things at me. ‘They're more your style than mine.’

  By which she means they're more weird than wonderful, which is probably true. I can't wait to get them home, though, to find out for sure.

  It's late afternoon, and Edie and I are standing in Leicester Square, praying that the unsummery dark-grey clouds that have suddenly appeared don't actually spill their contents onto us until all the people in silk and stilettos have been safely shooed off the red carpet and into the cinema.

  Leicester Square is THE place to go for movie premieres. It's got three cinemas and enough places to buy ice cream and hamburgers to keep you going for a year. Normally it's full of pigeons and tourists, but today it's full of red ropes, red carpets, people with walkie-talkies, photographers and us. It's very buzzy and everyone seems to have their mobiles out, hoping to get a picture of a celebrity.

  Most of the Kid Code stars have arrived and are milling about, posing for photographers and TV cameras. Other famous people and their children keep popping up too, posing quickl
y and disappearing into the dark of the cinema. They know it would be pointless to try and upstage Hollywood's Hottest Couple, who are happily chatting to people near the ropes and pausing for TV interviews. So is Joe Yule. Briefly, I get a flash from those laser green eyes. I actually go fluttery. Whatever he's got, they should bottle it. I suppose that's sort of what they're doing.

  Edie might as well be in double maths, or chess club. She's immune to HHC and even, it appears, to Joe Drool.

  ‘I suspected she was being bullied at school,’ she says, ‘but now it's obvious. No wonder she hates it so much. This is her fourth school already, you know.’

  I can't believe I'm standing in the heart of London's West End, within camera-phone distance of THE TWO MOST FAMOUS PEOPLE IN THE WORLD, and Edie is talking about school bullies. Only Edie.

  ‘What d'you think of my outfit, by the way?’ I ask.

  She looks at me appraisingly. ‘Bizarre, obviously. But not bad. It suits you.’

  ‘It's Crow's stuff.’

  ‘No!’

  It turns out that the strange nylon things were skirts. They look like nothing at all when they're folded up, but as soon as you put them on they puff and billow into beautiful shapes. Each one is different. I've tried all six of them on, and tonight I've gone for the violet one with points shaped like inverted tulip petals. I'm also wearing the knitted thing I bought, which looked like a lump in the bag but morphed into the warmest, lightest jumper. It's like wearing a cobweb crossed with an Arctic jacket. Perfect for this cloudy weather. And it's somehow managed to give me hips, which (like cheekbones) I absolutely don't possess in real life.

  More famous people troop across the red carpet. Edie spots a junior Cabinet Minister. I spot two Sugarbabes. Then, finally, yet another car with darkened windows pulls up and a familiar pair of knees emerges from the back door.